AUDIO COMMENTARY WITH DIRECTOR FRANCO ROSSO, SCREENWRITER MARTIN STELLMAN, ACTOR BRINSLEY FORDE AND PRODUCER GAVRIK LOSEY / BOOKLET ESSAY BY MUSIC JOURNALIST MIKE RUBIN / DREAD BEAT AND BLOOD (1979, A SHORT DOCUMENTARY ON LINTON KWESI JOHNSON DIRECTED BY FRANCO ROSSO) / NEW INTERVIEWS WITH BRINSLEY FORDE AND DENNIS BOVELL / RESTORATION FEATURETTE / Q&A WITH CAST AND CREW (RECORDED AT THE BFI SOUTHBANK IN 2008) / TRAILERS
- Franco Rosso - Director
- Franco Rosso - Writer
- Martin Stellman - Writer
— Wesley Morris, The New York Times
"Assertive and ebullient, Babylon is as alive as a movie can be to the everyday mesh of liberating art, humorous camaraderie and hazardous political reality. Dennis Bovell’s reggae soundtrack...is a master class of mood — a sonic heartbeat full of joy, pain and fury, the needle drops like matches struck and the music an insistent, scented flame you hear, see and feel."
"Like the reggae music that pulses through it, Babylon is rich, rough and real. And like the street life of the young black Londoners it portrays, it's threatening, touching, violent and funny. This one seems to explode in the gut with a powerful mix of pain and pleasure."
"Invaluable. Spills over with killer reggae on its soundtrack. Nearly four decades after its Cannes premiere, the pic is finally getting US distribution... it deserves a robust welcome."
"Babylon does more than borrow the music, fashion, or world view of reggae. It embodies the ethos of the music—and it feels like a song, swaying from a clever joke to fire and brimstone, conveying a message less through language than through the passage of sound waves through bodies. "
"A STORY WITH LITERALLY EPIC STAKES. It's no surprise why the film may resonate now—its themes of finding community through art and trying to exist in a society that doesn't want you are unfortunately both timeless and extremely current."?
"Babylon is a British cult classic [with an] irresistibly danceable dub soundtrack...a beautiful time capsule that shines a light on the vibrant underground culture that existed in early 80s south London."
"The 1980 cult classic considered by many to be the great U.K. reggae movie."
"Stands as a vivid time capsule of London’s then-burgeoning sound system culture and a call to arms for the disenfranchised during times of strife."
— Jordan Cronk, The Hollywood Reporter
"Franco Rosso’s reggae classic demands instant attention. [Brinsley] Forde is utterly magnetic."
— David Jenkins, Little White Lies
"A rich, gorgeously shot film. Today, with racially charged nationalism once again on the rise, normalized by certain world leaders...Babylon's message is, sadly, no less relevant now than it was four decades ago. Fortunately, this time around, that message isn't so easily suppressed."
— David Alm, Forbes
"Babylon has too much to say about keeping your head up when everyone wants to grind your face into the pavement—and to say it with so much heart—to be left in the rubbish bin of history."
— Cosmo Bjorkenheim, Screen Slate
"Babylon maintains a vibrant sense of life that cannot and will not be destroyed by hate. Babylon is a hidden gem worth seeking out if it comes to your city. Pulsating with lively music and righteous anger, in a world that remains far too resistant to multiculturalism, it provides an uncomfortably vivid reminder that still we have not come far enough."
— Lee Jutton, Film Inquiry
"The lead performances are so genuine and the dialogue, with tones ranging from unbridled glee to utter hatred, is so pure that you think at times that you’re watching a documentary. Babylon is a vivid story that offers no clear villains or angels. Instead, it gives you the truth."
— Candice Frederick, The Wrap
"[A] transfixing independent triumph. The reason you can’t look away and do not want to from Babylon is how fully engrossing each and every scene is throughout. It must be experienced to fully comprehend, and come away with the undeniable truth: Franco Rosso’s Babylon is an exemplary example of how to craft an honest film that speaks volumes in a subtle way that audiences will resonate with on multiple levels. I’ve come to equate Babylon to a movie held in a time capsule, to be shown to the world at the exact right moment. This is the moment in the United States."
— Kathryn Schroeder, Film Fracture
"Babylon is a pulsating document of a time and place as well as a piece of connective tissue from the past to the present. Its restoration and re-release are a boon both because of the film’s undeniable quality and because of its somehow still radical empathy."
— David Bax, Battleship Pretension
"Since its release in the UK in 1980, Babylon has only been available in the United States through poorly transferred versions with fuzzy visuals and muddied sound, where much of the patois is lost on American audiences due to lack of subtitling, but the recent restoration by Kino Lorber corrects all of these former shortcomings, so now, we can see Franco Rosso’s masterpiece for all that it was meant to be: an energetic, brutally honest, and again, uncompromised statement by Rosso on the treatment of West Indian immigrants in London during Thatcher-era England."
— Generoso Fierro, Ink 19
"The startling Babylon is a needed blast-from-the-past devoted to reggae life and longing as it reminds us collectively how a mere puff on a blunt cannot easily erase the cultural indignities that others bestow on one another systematically."
— Frank Ochieng, Screen Anarchy
"FEARLESS…loud and musical and cheerful and funny, and also tragic."
"SUPERB… TRUE, TOUGH, ELECTRICALLY ALIVE…one of the best British made films for years. Has more shock potential than five put together…it begs no sympathy, imports no glamour, but transfers to the screen with powerful rough-edged vigor a picture that has never really been seen before."
"Babylon perfectly evokes the growing racial tensions-and intense feelings of doom-of inner city London life during the late 70s/early 80s that ultimately culminated in the fiery Brixton riots. Highly recommended."